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Friday, 5 May 2017

Maggie Q's 5 Can't-Miss Movies and TV Shows



Having played the titular femme fatale in CW's "Nikita" for four seasons, Maggie Q is no stranger to action. This spring, she steps back into the ring for the second "Divergent" film, "Insurgent." The Honolulu-born actress stars opposite Shailene Woodley, unblocked website, Theo James, Naomi Watts, and Kate Winslet in the highly-anticipated sequel, which follows Tris (Woodley) as she continues her fight against a powerful alliance unblocked.

In anticipation of her new movie, the actress told Moviefone her 5 current can't-miss movies and TV shows -- complete with commentary from Maggie Q herself!

"Insurgent" arrives in theaters March 20.

Monday, 14 March 2016

Designated Survivor: Maggie Q, Kal Penn Join New Kiefer Sutherland Series

Designated Survivor, the upcoming ABC drama series starring Kiefer Sutherland, has added four new cast members, including Maggie Q, Kal Penn, Italia Ricci and Natascha McElhone.

The show centers around Sutherland's character Tom Kirkman, a low-level member the U.S. Cabinet who's made president following an attack that wiped out the rest of the political leaders during the State of the Union address.

penn

Penn in Harold and Kumar

According to TVLine, Nikita actress Maggie Q will star as the show's lead FBI agent who's investigating the bombing that struck Washington D.C. Meanwhile, Penn will play Kirkman's speech writer, Ricci's character will serve as his chief of staff and McElhone will play his wife.

True Believer

Maggie Q in Nikita

Designated Survivor received a straight-to-series order back in December. Safe House screenwriter David Guggenheim wrote the script and will executive produce with Simon Kinberg and Mark Gordon.

Last month, FOX announced plans to keep the 24 series alive with a new, Jack Bauer-less show called 24: Legacy. While Sutherland won't be reprising his lead role as the terrorist-twarting action hero, it looks like he's found a new home as Tom Kirkman on ABC.

Inside Dylan McDermott and Maggie Q's Emotional Visit to Vietnam to Support WildAid

Moved by his trip to Vietnam with fiancée and Stalker costar Maggie Q, Dylan McDermott produced a short video to "make people feel something," he tells PEOPLE, about the "senseless killing of animals" that is unfortunately rampant in the country.

The couple visited Vietnam in April to support WildAid, an environmental organization with the mission to end the illegal wildlife trade, for which Q, 35, acts as an ambassador.

"We wanted to raise awareness for the rhinos that are being slaughtered in Africa and used for their horns in Vietnam and China," McDermott, 53, tells PEOPLE. "A rhino horn can get as much as $40,000! There's a myth that the horn, when powdered, can be used for increased virility and to treat hangovers. There is no scientific proof that it works whatsoever!"

Adds McDermott: "Rhinos, mantas, tigers, sharks, bears and elephants are all being senselessly killed for products that don't even work. Poaching is an epidemic. It's sad to think that my daughters [Colette and Charlotte, with ex-wife Shiva Rose] might live in this world without these beautiful animals."


McDermott shot the video, in which both he and Q make brief appearances, to "give people a sense of the country," he says, adding that the song choice – "The Harder They Come," by Jimmy Cliff – was specifically chosen for its ability "to evoke desperation and hurt."

RELATED VIDEO: What Was Dylan McDermott's Best Vacation Ever?


The actor echoes his fiancée's words from a WildAid event last month. "It saddens me to see the news of the record number of rhinos killed so that their horns can be sold in Vietnam," she said. "I would like to help make people aware of the devastating impacts of this trade and persuade them to stop buying rhino horn."

With Q – whose mother was born in Vietnam – the couple also took in some of the sights while on their humanitarian trip. "We visited the Cu Chi tunnels, the War Remnants Museum, Hanoi and Saigon," McDermott says. "We also went to the Animals Asia's bear sanctuary, which was spectacular!"

Finally, as Stalker's inaugural season comes to a close, McDermott can promise that the final two episodes are "bone-chilling, with a little bit of romance sprinkled in that will blow your mind."

Stalker airs Mondays (9 p.m. ET) on CBS. Find out how you can help McDermott and Q's cause for WildAid here.

Saturday, 7 November 2015

Maggie Q Interview NIKITA

As a deeply troubled teenager, Nikita (Maggie Q) was rescued from death row by a secret U.S. agency known as Division. Fooled into believing that she was being given a second chance to start a new life and serve her country, she quickly learned that she was instead being trained as a spy and assassin. After being betrayed by the only people she thought she could trust, she did the impossible by escaping, in order to seek retribution and destroy their covert operations.
During an interview to promote the CW’s Nikita, show star Maggie Q talked about taking on the legendary character, her love of action roles and vowed never to wear that red bikini in the pilot episode again. Check out what she had to say after the jump:
Question: This character has been around for awhile, in various incarnations. What’s it like to take on what has become a legend of sorts?
Maggie: I felt confident because of the team that they put around me, with the director, the writer and the cast. I believe in everyone so much. I’m excited for this journey. It’s a challenge, but if we’re not challenging ourselves, what’s the point. It’s cool that there have been different incarnations, but we’re doing something really different with this one. I know that’s lip service, but you’ll understand the difference when you see it.
Was it important to you not to rehash the origin story?
Maggie: Right, that’s what makes it different. We’re really going from where the legend ends, and we’re going into the future of her. She’s gotten out now. This is her tale about how she gets back at the people who have hurt her.
How long have you been doing martial arts?
Maggie: I’m half Asian, so people immediately go, “Oh, you do kung fu,” like that’s what we do. We wake up, we do kung fu, we brush our teeth. It’s just assumed that you’re not working your ass off to make this believable and make this something great, and we absolutely are. All of us. I’m not a wushu champion. I was an athlete when I was a kid. I was a swimmer and a runner, but all this action stuff is such a challenge. It really, really is. I’m lucky that I’ve been doing it for long enough that I have a formula that works for me, but it certainly isn’t something that I can close my eyes and do. Absolutely not.
How did you initially get into martial arts then?
Maggie: When I was living and working in Asia, at the time, Jackie Chan was looking for these new young people to star in movies that he was producing, but not starring in. So, his team of guys trained me when I was very young, in different disciplines. They molded me. They gave me my introduction. I wouldn’t say they taught me everything because, once I got to Hollywood, I feel like that’s when I really got into the action genre. I really got the time to focus on things when I was booked for a project. They were very serious. They were like, “Listen, we’re going to train you from the ground up. This is how we’re going to make you real.” So, it does become very real. You can’t fake this stuff. You either know it, or you don’t.
Since you have a background in action movies, is it easier to do this role, or are there still physical challenges?
Maggie: Both. It’s comfortable for me. I weirdly feel very natural, in the physicality that comes my way, whether it’s guns, cars or whatever. For some reason, it’s second nature to me. But, every action project you take, whether it be a movie or TV series, is always different and a lot of people don’t really know how big a difference it is. It’s a different style of fighting, a different tempo and all of that. It’s been good, though. It’s been fun. I like the physical challenge. It’s fun for me.
What was it like to spend three weeks training for this?
Maggie: I set that training up. They didn’t have money to train us. My partner is an action director, so I asked him if he could get all of his stunt team together and create something for my cast. I have the training and background, but they didn’t. They had none. For me, it was important that everybody in the show was believable, and I knew that they weren’t even close. So, for three weeks, we did three days a week and we broke their asses. They couldn’t walk. Lyndsy would text me and go, “I can’t even eat. I can’t raise my arm.” I thought it was so fun. I’ve been through that for so many years, so to see someone else go through that was awesome.
With the physicality of this role, do you find yourself slinking home at night and crawling into bed?
Maggie: I don’t do anything but sleep, when I’m not working. I have no life. I’m no fun. All I want to do is sleep and get ready for the next day. It’s awesome.
Do they space out the action sequences for you, so that you don’t have to do them so close together?
Maggie: When I started in film, I was living and working in Asia, and I swear to you, when we did films there, it was so fast. It was much like TV. They did films in two weeks or six weeks, so I actually realize now that I’m very used to this pace, and I enjoy focusing, getting it over with, getting it out of the way and saying, “Let’s move on. Let’s do something cool again. Let’s get going.”
Which worries you more, knowing that you have a day where you’re going to have to shoot a big action scene, or having to do a big emotional scene with a lot of dialogue?
Maggie: You know what worries me? Doing them on the same day, which we do sometimes because TV is so fast. You’re here, and then you’re there, and sometimes you don’t know where you are.
With all the action films and stuff that you’ve done, have you ever had any major injuries along the way?
Maggie: Oh, I’ve injured everything. I’ve hurt my wrist and cracked my shins. It’s ridiculous. Actually, I haven’t broken everything, but I’ve cracked and fractured a lot of different body parts.
How was it to wear that red bikini?
Maggie: That red bikini was the bane of my existence. You’re not going to see me in a bikini again, that’s for sure. I was horrified to wear that. I was mortified. I was like, “Danny, can you put me in a one-piece?,” and he gave me that red bikini. I was like, “That’s not a one-piece. That’s a two-piece with a string.”
What about the rest of the clothes you’ll get to wear, throughout the season?
Maggie: The CW is a very fashion-oriented network and they like their stars to look a certain way. I like that, but at the same time, I need Nikita to be toned down a bit. You can’t draw too much attention to Nikita because she’s an assassin. At the same time, when she is on missions and she’s supposed to be noticed, that’s when we’ll play with stuff. They’re obsessed with her looks in the series, which is hilarious, whereas I’m obsessed with the material.
On the days when you get to play dress-up and you get to wear the really elegant gowns and stuff like that, is it fun for you, or is it just an annoyance because you’ve got to take so much time to do it?
Maggie: You know, I’ve gotten to that point where I’m so used to being sweaty, wearing pants, and sitting like a guy in boots. When I’m dressed up and people are touching me up and doing the whole thing, I’m less comfortable with that. I like to wear less make-up and be tougher. The primp stuff is exciting for people, but it’s less exciting for me. It’s definitely fun, but I like low maintenance. I do. I enjoy it on set because it’s about the characters, the acting and the story, so it’s not really about blush.
What is the relationship like between Nikita and Alex (Lyndsy Fonseca)?
Maggie: We really get into it, in Episode 2, which is cool. One of the things that’s really going to draw people into this series is that you don’t know how all these people are intertwined. You start in the modern day, but their past is very layered and very colored. We’re going to be uncovering that, in the first season. You’re not going to expect what unfolds between these two women, for sure.
Will viewers get to see more of the dynamic between Nikita, Amanda (Melinda Clarke) and Percy (Xander Berkeley)?
Maggie: Yes. Those characters are so cool to me. They’re fascinating. I was so blown away by them. Everyone is so good in the show, and they bring something so special. Without one of them, it wouldn’t work. But, Melinda’s and Xander’s characters are really fascinating. I don’t think you’re ever really going to know everything about where they’ve come from, but you are going to get little bits. It’s going to be really interesting.
How has it been to work with Aaron Stanford?
Maggie: He’s great. He’s so funny. He’s the comic relief in the series, which I really like because you need it. You can’t be serious the whole time. Division, which is sort of the CIA, has so many different faces that make an organization like that work. It’s not just a room full of evil people. It’s a room full of very talented people, who give what they give. How we found them and how they got there is the story.
Is the tattoo you show in the Nikita poster real?
Maggie: Yes, they’re all real, and what’s cool is that I don’t have to cover them. I usually always have to cover them, but with Nikita, it’s in keeping with who she is. She was that street kid. She was hardcore as a kid.
What is the tattoo of, when did you get it and why?
Maggie: It’s a phoenix. When I moved to Asia, it was tough for me. It was a struggle to be a woman in the business. And, I was incredibly poor, inexperienced and insecure. I didn’t go  see fortune tellers, but I had friends who did, and I would tag along because I thought it was so fascinating. At the end of the session, they would always look at me and go, “You’re a bird.” They would always tell me that I was a bird, and I didn’t get it. And then, as I started getting older and learning more about myself, I got it. So, I met an artist who basically said, “You understand what bird you represent?” I said, “No,” and he said, “You’re a phoenix because you’ve come from nothing and you’re building something.” I certainly was not there yet. I don’t even think I’m there now. But, I was on my way to building something that meant something to me, and so I wanted it to be the bird of strength.
How many others do you have?
Maggie: I’ve got two more.
What caused you to move to Asia in the first place and then start a film career? And, why was it so hard for you there?
Maggie: I was basically a broke student, and I moved to Asia and was making some money to go back to school. One thing led to another, and I was supposed to stay two months, but it ended up being eight years. It was the best mistake I ever made. But, I didn’t know a soul and I didn’t speak the language. I’d left Hawaii twice in my life, so I’d been on an island my whole life. I had no clue. I didn’t know how to live in a city, and I didn’t know the industry, for sure, and then I was around veterans in the industry who expected a lot out of me, from the get-go. It was a lot of pressure and it was a lot of confusion, at the time.
Were you acting phonetically?
Maggie: I started like that. I did films in English and I did films in Chinese. At first, I had to create my own phonetic alphabet for Cantonese, and then I went from there. I went back to China a couple years ago and did a movie in Mandarin, and I don’t speak Mandarin, so I learned it phonetically. Now, when I’m on set and somebody gives me English lines, I’m like, “Are you kidding? What’s happening? This is amazing!”
Are you still looking to balance this with a film career?
Maggie: Yes. There are so many passion projects that I have, that I’ve had written, and that I really care about. So, it’s actually fun to be able to do something like this, where I’m busy most of the year, and then, when I’m off, I can jump into something that I’ve planned during that year. I love film, very, very much, and I always want to go back to it. We’ll see. Obviously, you have to be lucky enough for people to want you to be in films, but that is the plan, definitely.
Are there any female action stars that you admire?
Maggie: I think Angelina Jolie in Salt is a perfect example because it’s a recent example. I remember seeing promotions for Salt and getting really excited and hoping that it did really well. It’s just good for females right now, in the industry, to be able to headline and carry something that traditionally men carry. What I like that’s happening right now in the action genre, which didn’t happen before, is that they’re using incredibly credible actors now in these big action roles. You see Angelina Jolie in a movie like Salt, and she’s very believable, but not because she’s super tough or has more muscles than the next girl. She’s an incredible actress, and that toughness comes from a place that’s very internal, which is the reason why she’s so good at what she does. That’s a great example of a really quality actress in a role where she’s doing both, and you have to be. I look at people like Angelina and Michelle Yo, early on, when I was living in Asia, and people like that, and I admired them because it was the combination of things that they brought to the screen that really worked. Now that I’m in that position, I know how hard it is, and my admiration has just been heightened.

Russell Brand on Margaret Thatcher: 'I always felt sorry for her children' Russell Brand

The actor and comedian recalls a bizarre recent encounter with the Iron Lady, and how it prompted him to think about growing up under the most unlikely matriarch-figure imaginable.

Margaret Thatcher, the year she became leader of the Conservatives

One Sunday recently while staying in London, I took a stroll in the gardens of Temple, the insular clod of quads and offices between the Strand and the Embankment. It's kind of a luxury rent-controlled ghetto for lawyers and barristers, and there is a beautiful tailors, a fine chapel, established by the Knights Templar (from which the compound takes its name), a twee cottage designed by Sir Christopher Wren and a rose garden; which I never promised you.
My mate John and I were wandering there together, he expertly proselytising on the architecture and the history of the place, me pretending to be Rumpole of the Bailey (quietly in my mind), when we spied in the distant garden a hunched and frail figure, in a raincoat, scarf about her head, watering the roses under the breezy supervision of a masticating copper. "What's going on there, mate?" John asked a nearby chippy loading his white van. "Maggie Thatcher," he said. "Comes here every week to water them flowers." The three of us watched as the gentle horticultural ritual was feebly enacted, then regarded the Iron Lady being helped into the back of a car and trundling off. In this moment she inspired only curiosity, a pale phantom, dumbly filling her day. None present eyed her meanly or spoke with vitriol and it wasn't until an hour later that I dreamt up an Ealing comedy-style caper in which two inept crooks kidnap Thatcher from the garden but are unable to cope with the demands of dealing with her, and finally give her back. This reverie only occurred when the car was out of view. In her diminished presence I stared like an amateur astronomer unable to describe my awe at this distant phenomenon.
When I was a kid, Thatcher was the headmistress of our country. Her voice, a bellicose yawn, somehow both boring and boring – I could ignore the content but the intent drilled its way in. She became leader of the Conservatives the year I was born and prime minister when I was four. She remained in power till I was 15. I am, it's safe to say, one of Thatcher's children. How then do I feel on the day of this matriarchal mourning?
I grew up in Essex with a single mum and a go-getter Dagenham dad. I don't know if they ever voted for her, I don't know if they liked her. My dad, I suspect, did. He had enough Del Boy about him to admire her coiffured virility – but in a way Thatcher was so omnipotent; so omnipresent, so omni-everything that all opinion was redundant.
As I scan the statements of my memory bank for early deposits (it'd be a kid's memory bank account at a neurological NatWest where you're encouraged to become a greedy little capitalist with an escalating family of porcelain pigs), I see her in her hairy helmet, condescending on Nationwide, eviscerating eunuch MPs and baffled BBC fuddy duddies with her General Zodd stare and coldly condemning the IRA. And the miners. And the single mums. The dockers. The poll-tax rioters. The Brixton rioters, the Argentinians, teachers; everyone actually.
Margaret Thatcher visits Falkland Islands
 Margaret Thatcher visiting British troops on the Falkland Islands in 1983: the war was a turning point in her premiership. Photograph: taken from picture library
Thinking about it now, when I was a child she was just a strict woman telling everyone off and selling everything off. I didn't know what to think of this fearsome woman.
Perhaps my early apathy and indifference are a result of what Thatcher deliberately engendered, the idea that "there is no such thing as society", that we are alone on our journey through life, solitary atoms of consciousness. Or perhaps it was just because I was a little kid and more interested in them Weetabix skinheads, Roland Rat and Knight Rider. Either way, I'm an adult now and none of those things are on telly any more so there's no excuse for apathy.
When John Lennon was told of Elvis Presley's death, he famously responded: "Elvis died when he joined the army," meaning of course, that his combat clothing and clipped hair signalled the demise of the thrusting, Dionysian revolution of which he was the immaculate emblem.
When I awoke today on LA time my phone was full of impertinent digital eulogies. It'd be disingenuous to omit that there were a fair number of ding-dong-style celebratory messages amidst the pensive reflections on the end of an era. Interestingly, one mate of mine, a proper leftie, in his heyday all Red Wedge and right-on punch-ups, was melancholy. "I thought I'd be overjoyed, but really it's just … another one bites the dust …" This demonstrates, I suppose, that if you opposed Thatcher's ideas it was likely because of their lack of compassion, which is really just a word for love. If love is something you cherish, it is hard to glean much joy from death, even in one's enemies.
Perhaps, though, Thatcher "the monster" didn't die yesterday from a stroke, perhaps that Thatcher died as she sobbed self-pitying tears as she was driven, defeated, from Downing Street, ousted by her own party. By then, 1990, I was 15, adolescent and instinctively anti-establishment enough to regard her disdainfully. I'd unthinkingly imbibed enough doctrine to know that, troubled as I was, there was little point looking elsewhere for support. I was on my own. We are all on our own. Norman Tebbit, one of Thatcher's acolytes and fellow "Munsters evacuee", said when the National Union of Mineworkers eventually succumbed to the military onslaught and starvation over which she presided: "We didn't just break the strike, we broke the spell." The spell he was referring to is the unseen bond that connects us all and prevents us from being subjugated by tyranny. The spell of community.
Those strikes were confusing to me as a child. All of the Tory edicts that bludgeoned our nation, as my generation squirmed through ghoulish puberty, were confusing. When all the public amenities were flogged, the adverts made it seem to my childish eyes fun and positive, jaunty slogans and affable British stereotypes jostling about in villages, selling people companies that they'd already paid for through tax. I just now watched the British Gas one again. It's like a whimsical live-action episode of Postman Pat where his cat is craftily carved up and sold back to him.
The Orgreave miners' strike in 1984.
 The Orgreave miners' strike in 1984. Photograph: Alamy
"The News" was the pompous conduit through which we suckled at the barren baroness through newscaster wet-nurses, naturally; not direct from the steel teat. Jan Leeming, Sue Lawley, Moira Stuart – delivering doctrine with sterile sexiness, like a butterscotch-scented beige vapour. To use a less bizarre analogy: if Thatcher was the headmistress, they were junior teachers, authoritative but warm enough that you could call them "mum" by accident. You could never call Margaret Mother by mistake. For a national matriarch she is oddly unmaternal. I always felt a bit sorry for her biological children Mark and Carol, wondering from whom they would get their cuddles. "Thatcher as mother" seemed, to my tiddly mind, anathema. How could anyone who was so resolutely Margaret Thatcher be anything else? In the Meryl Streep film, The Iron Lady, it's the scenes of domesticity that appear most absurd. Knocking up a flan for Denis or helping Carol with her algebra or Mark with his gun-running, are jarring distractions from the main narrative; woman as warrior queen.
It always struck me as peculiar, too, when the Spice Girls briefly championed Thatcher as an early example of girl power. I don't see that. She is an anomaly; a product of the freak-onomy of her time. Barack Obama, interestingly, said in his statement that she had "broken the glass ceiling for other women". Only in the sense that all the women beneath her were blinded by falling shards. She is an icon of individualism, not of feminism.
I have few recollections of Thatcher after the slowly chauffeured, weepy Downing Street cortege. I'd become a delinquent, living on heroin and benefit fraud.
There were sporadic resurrections. She would appear in public to drape a hankie over a model BA plane tailfin because she disliked the unpatriotic logo with which they'd replaced the union flag (maybe don't privatise BA then), or to shuffle about some country pile arm in arm with a doddery Pinochet and tell us all what a fine fellow he was. It always irks when rightwing folk demonstrate in a familial or exclusive setting the values that they deny in a broader social context. They're happy to share big windfall bonuses with their cronies, they'll stick up for deposed dictator chums when they're down on their luck, they'll find opportunities in business for people they care about. I hope I'm not being reductive but it seems Thatcher's time in power was solely spent diminishing the resources of those who had least for the advancement of those who had most. I know from my own indulgence in selfish behaviour that it's much easier to get what you want if you remove from consideration the effect your actions will have on others.
Is that what made her so formidable, her ability to ignore the suffering of others? Given the nature of her legacy "survival of the fittest" – a phrase that Darwin himself only used twice in On the Origin of Species, compared to hundreds of references to altruism, love and cooperation, it isn't surprising that there are parties tonight in Liverpool, Glasgow and Brixton – from where are they to have learned compassion and forgiveness?
The blunt, pathetic reality today is that a little old lady has died, who in the winter of her life had to water roses alone under police supervision. If you behave like there's no such thing as society, in the end there isn't. Her death must be sad for the handful of people she was nice to and the rich people who got richer under her stewardship. It isn't sad for anyone else. There are pangs of nostalgia, yes, because for me she's all tied up with Hi-De-Hi and Speak and Spell and Blockbusters and "follow the bear". What is more troubling is my inability to ascertain where my own selfishness ends and her neo-liberal inculcation begins. All of us that grew up under Thatcher were taught that it is good to be selfish, that other people's pain is not your problem, that pain is in fact a weakness and suffering is deserved and shameful. Perhaps there is resentment because the clemency and respect that are being mawkishly displayed now by some and haughtily demanded of the rest of us at the impending, solemn ceremonial funeral, are values that her government and policies sought to annihilate.
I can't articulate with the skill of either of "the Marks" – Steel or Thomas – why Thatcher and Thatcherism were so bad for Britain but I do recall that even to a child her demeanour and every discernible action seemed to be to the detriment of our national spirit and identity. Her refusal to stand against apartheid, her civil war against the unions, her aggression towards our neighbours in Ireland and a taxation system that was devised in the dark ages, the bombing of a retreating ship – it's just not British.
I do not yet know what effect Margaret Thatcher has had on me as an individual or on the character of our country as we continue to evolve. As a child she unnerved me but we are not children now and we are free to choose our own ethical codes and leaders that reflect them.

Dylan McDermott, Maggie Q Engaged: ‘Stalker’ Actress Emerges With Massive Diamond On Left Hand, Check Out Her Engagement Ring Here! [PHOTO]

Neither Dylan McDermott nor Maggie Q have confirmed the news that they're engaged, and have barely even acknowledged that they're dating-but that hasn't stopped the Stalker actress from sporting a massive diamond ring on her left hand.

Dylan McDermott & Maggie Q

Neither Dylan McDermott nor Maggie Q have confirmed the news that they're engaged, and have barely even acknowledged that they're dating-but that hasn't stopped the Stalker actress from sporting a massive diamond ring on her left hand.
Q was spotted sporting a massive sparkler on her ring finger while out shopping in Los Angeles Thursday, which appears to look like the ring that McDermott has been rumored to have given to her recently during a Hawaiian vacation.
Rumors Q, 35, and her 53-year-old co-star on the CBS drama were engaged broke in the last few weeks, though they were reportedly engaged months ago.
Dylan McDermott & Maggie Q Make First Red Carpet Appearance
The two were confirmed to be dating back in October, after they were spotted having a romantic night at Santa Barbara's Olio e Limone.
"They were very flirty, smiling at each other, canoodling," a source said at the time. "At one point she was feeding him at the table."
The couple made a first public appearance as a couple earlier in January, when they attended the In StyleGolden Globes after party on Jan. 11, which also served to be one of the first times McDermott made a public comment about being with Q.
When he was asked if any actresses in particular stood out to him at the Globes, he said, "I thought actually there were so many beautiful women there, but I think the most beautiful was Maggie Q."
Prior to their romance, McDermott was married to actress Shiva Rose for 14 years until they split in 2009. Together, they share two daughters, Colette, 18, and Charlotte, 9. Q has never been married.

MANAA Asks CBS to Renew “Stalker” Co-starring Maggie Q and “Elementary” Co-starring Lucy Liu

Ms. Nina Tassler
Chairman, CBS Entertainment
4024 Radford Avenue
Studio City, CA 91604
Dear Nina,
I hope this letter finds you well. Over the years, under your leadership, CBS has made great strides in including Asian Americans as regulars of its drama, comedy, and reality series. The two CBS shows which feature Asian Americans in the most significant roles are “Stalker” with Maggie Q and “Elementary” co-starring Lucy Liu. As Lt. Beth Davis and Joan Watson, respectively, their stories very often drive the narrative of the main plot of the week and both defy the traditional way Asian American women have been portrayed in the media. Davis is no shrinking violet and commands the anti-stalking unit of the Los Angeles police force, and Watson displays her own talent at solving crimes even under the formidable shadow of the legendary Sherlock Holmes and is not cast primarily as the love interest of anyone.
However, both series have not had strong 18-49 ratings, and we are concerned about their chances for renewal for the 2015-2016 season.
New episodes of “Stalker” average a 1.53 Live+same day rating in the 18-49 age group, but jump 62% to a 2.48 with Live+7 numbers. It usually beats NBC’s “Chicago P.D.” (which has already been renewed for the Fall) and ABC’s “Nashville.” “Stalker’s” last new episode (which aired February 18) fell to an all-time low of 1.15, but that was due to the weak lead-in of the two hour finale of “The Mentalist,” which averaged a 1.28, the lowest 9 p.m. rating for any CBS first-run episode all season.
Though new episodes of “Elementary” average a 1.3 Live+same day rating in the 18-49 demo, the Live+7 audience jumps 85% to a 2.42. The show was probably hurt by beginning Season 3 a month later than usual (October 30) and a weak lead-in from “The McCarthys,” which was pulled from the schedule in February (perhaps a drama lead-in would be more helpful next season?). “Elementary” has done considerably better in the 2015 calendar year than the Fall of 2014, perhaps due to viewer unhappiness with the dominance of the Kitty character (Opehlia Lovibond), whose storyline ended in January. “Elementary” is currently beating its competition on ABC (“American Crime”) and NBC (“The Slap,” “Dateline”) and is getting closer to producing enough episodes so it can be sold into syndication. In addition, we are happy that co-star Lucy Liu has been able to demonstrate her impressive talents as a director on the show.
Given these considerations, we hope you will renew both “Stalker” and “Elementary” and give them sufficient promotion to ensure their long-term success. We would also like to see more Asian American guest stars as, for some reason, they have been sparse on those shows. Thank you for your consideration.
Sincerely,
Guy Aoki
Founding President, MANAA
Cc: Christina Davis
Glenn Geller
Kelly Kahl
Tiffany Smith-Anoa’i
 
 
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